| Hall Bartlett | |
|---|---|
| Born | Hall Bartlett November 27, 1922 Kansas City, Missouri |
| Died | September 7, 1993 (aged 70) Los Angeles, California |
| Occupation | Actor, film director, film producer, screenwriter |
| Years active | 1952–1982 |
| Spouse | Rhonda Fleming, Lupita Ferrer |
Hall Bartlett (November 27, 1922 – September 7, 1993) was an American film producer, director, and screen writer.
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Born in Kansas City, Missouri, he graduated from Yale University Phi Beta Kappa, and was a Rhodes Scholar nominee. He served five years in Naval intelligence, then began his filmmaking career with producing the documentary film Navajo, the first contemporary picture to focus attention on the plight of the American Indian. Bartlett was also the first filmmaker to do a picture about professional football: his Crazylegs was the story of superstar Elroy Hirsch.
His next film, Unchained, was filmed inside the California Institution for Men at Chino, California. Bartlett spent six months behind the walls living as an inmate while he wrote the screenplay. The film's musical theme, "Unchained Melody," became an international classic. Bartlett acquired the rights to the first novel of Arthur Hailey, Zero Hour!, and made it into a suspense film. The plot of was later used for Airplane!, the 1980 spoof of disaster films. His Drango, a study of the post American Civil War era, was based on the true story about a Union officer who returned to the land his fellow soldiers had ravaged to try to rebuild the South as Abraham Lincoln had encouraged before his assassination.
All the Young Men, starring Sidney Poitier was about a black man’s struggle to achieve first class citizenship.
The Caretakers centered on the problems of mental health and was (at the request of President John F. Kennedy) the first film ever shown on the floor of the United States Senate. Two days after the screening, President Kennedy’s mental health bill was passed without a dissenting vote.
A Global Affair, a true story about the first baby ever born in the United Nations building in New York City, starred Bob Hope and Lilo Pulver. Hall’s film, Sol Madrid, was made from the Robert Wilder novel, The Fruit of The Poppy.
Bartlett's Changes, a strongly personal examination of the younger generation, was filmed in college communities across the country to record honest insights into issues of the day. The New York Times called the film "one of the most imaginative, haunting and artistic movies yet made. It is a remarkable film and — more than that — a remarkable experience." The Sandpit Generals received international acclaim, with Bartlett receiving the VII Moscow International Film Festival Grand Prize Award for Best Film and Best Director of the festival.
Bartlett's film Jonathan Livingston Seagull was filmed entirely without human actors on screen, only as voiceovers.
The Search of Zubin Mehta is a story of an extraordinary family, eminently making a high place of cultural achievement in the world.
Bartlett’s The Children of Sanchez was written for the screen by Cesare Zavattini based on Oscar Lewis’s book of the same title, a classic study of a Mexican family.
Comeback is the true story of one of the most daring escapes in modern history. John Everingham rescued his Laotian fiancée under the watchful guns of the Pathet Lao Army, executing an unforgettable, exciting, dangerous, and life-risking plan. The plan demanded a year’s careful training and study, after Everingham, a top reporter was imprisoned in Laos, than expelled from the country with a high price for his murder if he ever returned. Bartlett filmed Comeback in Thailand. He is the first person to get permission to shoot on the Mekong River, two miles away from the Army of Laos.
Bartlett was heavily involved in the Los Angeles community, as a founder of the Music Center, a director of the James Doolittle Theatre, a patron of the Art Museum, a patron of the American Youth Symphony, a board member of KCET, and was the organizer of the Los Angeles Rams Club and the Los Angeles Lakers Basketball Club.
At the time of his passing in 1993, Bartlett was finishing his second novel for Random House, Face to Face. His first novel, The Rest of Our Lives, was a best seller in 1988. Bartlett had partnered with Michael J. Lasky and developed a dozen projects for the eleven years prior to his death. One of these film projects included Catch Me If You Can. Bartlett and Lasky both wrote drafted many scripts for the project and Hall was positioned as the director, with Lasky producing. The rights were eventually sold and produced/directed by Steven Spielberg, nineteen years after Lasky's first option. In his last days, they were working on a three-picture slate which included the re-mastering of Jonathan Livingston Seagull. The production team grew to include Robert Watts (of Spielberg and Lucas fame) as a production executive with an exemplary credit list of blockbuster motion pictures.
Bartlett’s films have received ten Best Picture and Best director awards at international film festivals, seventeen Academy Award nominations, eight Hollywood Foreign Press Golden Globe Awards, and more than 75 national and international awards from publications and organizations.